A luckless choirmaster unwittingly causes local rivalries to bubble to the surface when he returns home to his Welsh roots. Accepting the post of choirmaster in the village where he grew up, Geraint Llewellyn (Clifford Evans) returns from London, and sets about planning the choir's latest production, Handel's 'Messiah'. But when it comes to choosing the soloist, Geraint's choice of Mrs. Davies (Betty Cooper) over the seasoned talents of resident leading lady Mrs Lloyd (Rachel Thomas) goes down like a lead balloon, instigating a split not only between the respective families, but between the village itself.

This work aims to define employer of choice (EOe for Australian businesses. The relationship between employees and corporate social responsibility (CSR) is investigated, drawing on current employer of choice communication, government regulation and legislation, international trends and global surveys. The paper refers to research conducted on Australian financial and insurance organisations regarding how these companies publicly address EOC criteria. Reputation is identified as a key component to business success, and that positive CSR reputation is dependent upon a complete EOC program. An online internal education resource addressing employer of choice is identified as an effective means for companies to enhance their reputation through their most important asset - the organisation's staff.

This volume brings together Northrop Frye's criticism on twentieth-century literature, a body of work produced over almost sixty years. Including Frye's incisive book, T.S. Eliot, as well as his discussions of writers such as James Joyce, W.B. Yeats, Wallace Stevens, and George Orwell, the volume also contains a recently discovered review of C.G. Jung's book on the synchronicity principle and a previously unpublished introduction to a twentieth-century literature anthology. Frye's insightful commentaries demonstrate definitively that he was as astute a critic of the literature of his own time as he was of the literature of earlier periods.

Glen Robert Gill's substantial introduction delineates the development of Frye's criticism on twentieth-century literature, puts it in historical and cultural context, and relates it to his overarching theory of literature. This volume in Frye's Collected Works is indispensible not only for readers of Frye's work but for all scholars and students of twentieth-century literature.